Wednesday, January 14, 2015

Writing with Rox WEEKLY—The moment you knew

Recently a student told me that her favorite writer, Haruki Murakamidescribed the moment he knew he was destined to be a writer. My student described it far better than I could (or anyone else/anything I have found written about it), but the short answer is baseball. Not just baseball, mind you, but the lingering, sensory, amniotic, depth of it. Says Murakami,

"...The crack of the bat meeting ball on the sweet spot echoed through the stadium. Hilton easily rounded first base and pulled up to second. And it was at that exact moment that a thought struck me: You know what? I could try writing a novel. I can still remember the wide-open sky, the feel of the new grass, the satisfying crack of the bat. Something flew down from the sky at that instant, and whatever it was, I accepted it."

So, what is it about baseball anyway? I mean... is it everyone's muse?  What is it about this game that makes it the literary darling of ball sports? That's the first thing.

But the main thing, what I find so striking (no pun intended, really), is thinking about the exact moment when we knew we were writers. Not just the reasons why we write (which are great too, obviously), but the wordless collision of all perfection, the muse, the "I have to write this down" moment.

I agree. It's hard to pinpoint. It's elusive.

I knew it when I wrote my first short story in first grade about the color purple and could not stop writing. I also knew it when I wrote a letter from my 24 year-old self in the basement at my first counseling job in Seattle to my future self, living under sunny skies, far from here, reminding myself things would get better, to hang in there. 

I knew it every time I wrote a love letter. 

I knew it when Jude spoke his first word: "Bus!" I knew it the first time I heard that huge crystal singing bowl that Deb played that night at Lake Harriet among a small gathering of drummers, where suddenly I was among a hundred whales breathing me back into my body. 

I knew it six years later when Jude came running toward me—walk, trot, skip, ruuuuuuuuun!— across the green summer fields at Camp St Croix after five days at sleep-away camp. I knew it when I knew I could never ever put into words how long that sprint toward each other lasted and how very right that moment felt when he jumped up into in my arms.

Regretfully, I knew it with each heartbreak and I knew it when I was well aware I was doing the absolutely wrong thing at the wrong time and proceeded anyway. I knew it when I saw a young man carrying a clipboard run across six lanes of traffic before he was struck by a car, knocked onto the sidewalk and died in front of me on a sunny afternoon in Los Angeles a week before my first wedding. I knew it when I felt nothing at the height of celebration, when I felt everything when it was over, and when I felt the earth against my spine while laying in corpse pose at yoga.

I know it even when I have nothing to do with anything. When there is no I, no me, and amazingness is happening anyway.

I knew it and I know it each and every time I surrender. To music. To love. To the moment. To being wrong. Or right. When I laugh so hard I pee my pants and when I let someone else drive so I can enjoy the ride.

Oh, I could go on. I could mine deeper into this wordless world where I am endlessly moved by the earth's poetry, layer upon layer, where each of these moments reveals a brief window, an opening, a portal into everything at once, a oneness, a sense that I have absolutely been here before countless times and will be here again. Perhaps it takes me back to the womb, the wordless womb.

So why? Why do I have to write it down? Why not just leave the wordless alone? I do... most of the time. But each time I attempt to translate the wordless collision, I am giving back to the writers and musicians and all whoeverybodys who have understood me, translated for me. Because of their gifts, the sharing of their stories, I can celebrate, embrace, and worship this one life, navigate and belong here, at times tolerate, occasionally just get by in, and once in a blue moon want out of this life, well knowing it will all pass and that I am exactly where I am meant to be. 

And that's a moment to write down.


WRITE WITH ME?
AT WHICH MOMENT DID YOU KNOW YOU HAD TO WRITE IT DOWN?





10 comments:

  1. That is beautiful, Rox. Thanks for filling my afternoon for me... I wasn't sure what I was going to do today (not that there is any shortage of things to be done) but after reading your post, nothing seems to matter more than exploring The Moment I Knew...

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    1. Thanks Mel! Appreciate it. It's quite a ride. Once you get going, it's hard to stop because there is soooooo much, so many moments. Can't wait to hear what you come up with if you choose to share. Enjoy. See you soon. xox

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  2. I knew when a tear fell upon her cheek. Then later, when a professor’s eyebrow lifted. And always, when I feel that rush in my brain-soul.

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    1. yes, yes, yes, you got it, John! Gorgeous, sharp, song...thanks for sharing. Hope to hear more! Rox

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    2. PS: Brain-soul... Occasionally I'll write of the "hearts-eye"...perhaps the female version of brain-soul? :) Forgive me...I'm in one of those moods today. Been singing all morning. :)

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    3. Ha! You're forgiven. Sing on, Rox. Sing on.

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  3. When I was in 7th grade and spent my nights locked in my bedroom writing despairing prose about unrequited love, failed friendships, and other hazards of puberty while listening to "At Seventeen," by Janis Ian. Does anyone else remember Janis Ian? Despair never felt so good! Here are the lyrics to her song...

    "AT SEVENTEEN"

    By Janis Ian

    I learned the truth at seventeen
    That love was meant for beauty queens
    And high school girls with clear skinned smiles
    Who married young and then retired
    The valentines I never knew
    The Friday night charades of youth
    Were spent on one more beautiful
    At seventeen I learned the truth...

    And those of us with ravaged faces
    Lacking in the social graces
    Desperately remained at home
    Inventing lovers on the phone
    Who called to say "come dance with me"
    And murmured vague obscenities
    It isn't all it seems at seventeen...

    A brown eyed girl in hand me downs
    Whose name I never could pronounce
    Said: "Pity please the ones who serve
    They only get what they deserve"
    The rich relationed hometown queen
    Marries into what she needs
    With a guarantee of company
    And haven for the elderly...

    So remember those who win the game
    Lose the love they sought to gain
    In debitures of quality and dubious integrity
    Their small-town eyes will gape at you
    In dull surprise when payment due
    Exceeds accounts received at seventeen...

    To those of us who knew the pain
    Of valentines that never came
    And those whose names were never called
    When choosing sides for basketball
    It was long ago and far away
    the world was younger than today
    when dreams were all they gave for free
    to ugly duckling girls like me...

    We all play the game, and when we dare
    We cheat ourselves at solitaire
    Inventing lovers on the phone
    Repenting other lives unknown
    That call and say: "Come on, dance with me"
    And murmur vague obscenities
    At ugly girls like me, at seventeen...

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  4. Oh my gosh, Gayle! I do know this song and I love Janis Ian! This is a prompt in itself. I could write endlessly about how me and Susan, at 17, 18, 19... sat around here bedroom in Bel Air, CA, listening to Janis Ian, each running our own stories of despair... Wow. Thanks for this. Hope to hear more from you about this... and yes, the tastiness of despair! This song is now in my head... I actually sang along to the lyrics you provided and wow... what a trip down memory lane. Each word, each line, a memory, an emotion.. Thanks Gayle! Glad to be past those years, aren't you??? More to come... xoxo

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  5. How often do we get a true satori? The romantic version of a satori has of course been written about a billion times - the most famous modern one might be Michael Corleone's "thunderbolt" when he first saw Appleonia in the Sicilian meadow. I felt the "thunderbolt" once and an impossible and most regrettable romance followed.
    But the writing satori? That moment of elucidation when one knows that creating is essential to feeling purposeful and fulfilled?
    I have always preferred a good story to a good meal or a good kiss or a good present or a good anything. Tis in the blood. Back in 1843 my ancestor Daniel O'Connell spoke at the Hill of Tara to 750,000 people which was then a third of the population of Ireland.
    Now that guy had something to say. I come from a long line of Irish blowhards so probably for me the desire to write was really no choice but simple in the blood.
    It's a blood lust for sure.

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    1. As always, Rob, I am intrigued by the stories you tease us with here... Love how a good story is all the sustenance one needs, a heartline, a common, necessary currency, though endangered I fear in this quick-quick culture. Love the image of Hill Of Tara... must go read about that at once and... allow my imagination to fill in the mystical and the some possibilities... Thanks, as always, Rob. Share more soon! Rox

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