Let me tell you the story about a man named Charlie on this tragic and fateful day...
Though some of my counselors were hippie strange and even though I had no idea what most of the songs meant and I likely botched the lyrics (as I do so today), the magic of the singing together ran way deeper than anything I could ever have put into words back home without making it sound, as my LA friends back home would say, "lame" or "gay," as this was the mentality I was dealing with back then, back home, before either of these words meant what they really mean. I think because it was such a contrast to life in LA— to the hustle and bustle of disco, fast red cars, movie making, fast talking, deal making, etc—song singing was a welcome slower pace, a sort of peace that I never knew, but must have longed for... When we sang together I felt a belonging to the entire world, unlike at home where my latchkey years were devoid of any consistent source of community.
but he couldn't get off of that train...
Well, fast forward 30 years and I've come home once again to the sing-along. Many fortunate and coincidental and surprising things have granted me the good life where I am able to spend much of my free time playing music with others and singing. Don't ask me how, but I've even been lucky enough to go along with Two Cute Face, a real musician, on a few singalong gigs for 55+ communities. What I've discovered in singing (or writing, for that matter) with others is how much I hear consistently how much "we need this." Last week after singing, one of the elders approached us afterwards and said, "There are so many bad things going on in the world, but singing is good. We need to sing." This of course opens up similar feedback, as well as stories about growing up and singing Blue Moon when the sheet music was hot off the press and delivered to your classroom and nothing could be better.
Lately I've heard a few people make a similar declaration: the world is in big doody trouble, but (fill in the blank) is good. As long as there is (fill in the blank) life's not so bad after all. In fact, my son's circus teacher (is that what they are called?) announced this to a roomful of nervous parents about to see their child dangle and clown and climb and swing for a paying crowd; at the beginning of the show he said something to the tune of: Everyone says life is so bad these days, but here at the circus, life is pretty darn great. We have a great time.
I find these finally carved and well lived declarations of insight so moving. And so crucial, especially given these quick-paced times where genuine community is endangered. These declarations hit me like hope, like powerful cinema, and I can hear the natural swelling of music in the earth as I take in the wisdom of said optimism.
As writers, especially memoir, we need to balance the dark and drama with the light and celebratory.
What do you see that's "good"? How do you complete the sentence "The world is in big doody trouble, but is good! Better yet, or
... is good!"
And you know what? If you don't know, maybe that is good, too.
And speaking of not knowing, please join me for my upcoming March Workshop at the Beach WRITING INTO THE UNKNOWN SATURDAY March 22, 2014 9:30am-1pm. What's gonna happen? Who knows, but we'll start with six words and go from there. Where? We'll go where no one has gone before on the page... linger in the unknown and witness how the unknown lends suspense and depth to the page, and our lives. Email or call to register. Limited to 6!
Hi Rox!
ReplyDeleteI finally took some time to free-write last night and wanted to thank you for your faithful weekly prompts! I'm in an interpersonal and vocational transition, all of it I perceive to be "good," and it was cathartic to take some time to myself and just have at it. Still working on cultivating a daily writing practice. ;-) And meditation practice. And fill-in-the-blank! I'm also working on making gratitude an intentional part of my daily life; working in a public school is giving me new perspective and appreciation for the collaborative effort of educating and I hold you in gratitude alongside my teachers along the way.
I have a few months to firm up a social work placement for my second year of MSW so I've been thinking a lot about that and the larger existential question about what I might want to do with licensure and life in general. I have some ideas, which is another source of gratitude, and I've also harbored the "bucket list" contingency plan of writing somehow. The most extreme manifestation of that is screenwriting at a professional level, and I've also thought a lot about some of the workshops, classes, and sessions you offer and think that might be something I might like to do, too. It could be cool to go for an MFA but I think my energy and finances or both might give out before completion, at least at this stage! Who were your mentors out of graduate school? What forces shaped your early professional decisions? What would you have done differently and what do you regret not doing?
Thanks,
Jim (James) Chadwick
Hey James!
DeleteAlways great to hear from you! I occasionally think of that powerful memoir you were writing in class and hope that you are keeping that story alive/on the page/etc as you continue on your path... that is, if you still have creative energy/passion for it!
Thanks so much for your sharing and kind words. Glad to hear you are nurturing a writing and meditation practice as you go through the hard work of an MSW... man, that was exhausting times for me (getting my MA for clinical psych...)! Hope you are honoring your passion and truth as you explore the field... I did my graduate work in psych long before I did the MFA... this worked really well for me. I had to go work and live and get heartbroken, etc, before I was ready to sit down and write about it... you may come back to an MFA later in life... You'll find your thing as time goes on with all of this... I think creative/healing workshops are a great thing to think about. We don't have enough of this in the mainstream... it's so crucial!
As to your questions.... early mentors out of grad school.... well, psych school, for sure the thinkers and doers behind psychodrama like jacob and zerka moreno, adam blatner, john mosher, many more, but for sure psychodrama and sociometry led me to everything and I base much of what I do on those theories and practices... (I had/have great teachers)... and after/during MFA... wow, so many in the way of writers... (many of them my students!), as well as spiritual teachers ram dass, yogananda, pema chodron, brenda ueland, cary tennis, on and on...
What shaped my early professional decisions? Out of psych school... Money, fear, ignorance, family dysfunction, misery, and a good intention to help teens who struggled as much (or more) than I did... my cool supervisor and cool clinic I got to work at... ten years later, my heart, personal healing work, etc...
No regrets, no do overs. It's all meant to be!
Stay in touch, James, be well,